Categories
Brutalist Bookends

A Year of Writing for Designers

Print and ebook editions of my book Writing for Designers.
Print and ebook editions of my book Writing for Designers.

My first book, Writing for Designers, was released by A Book Apart one year ago today.

Personally, much of the past year has been a blur. I experienced a profound loss in December in the death of my mother, a scant 68 days after the book was first released. Reflecting on a year since the release of Writing for Designers has been investigative for me, in a way. I barely remember being some of these places, and I’m sure I’ve forgotten others.

But the book has brought many wonderful people and experiences into my life, and I’m grateful to have had it as a bright spot, however dark the background.

Here’s what a year in life of the book looks like:

  • October 16, 2018 – Release day. The ebook becomes available for purchase.
  • October 16, 2018Content Strategy MPLS/St. Paul meetup webinar. Delivered my first iteration of How to Get the Writing Done, the talk I reverse-engineered out of the book (and previous workshops) to make the lessons appeal to an audience of more than just designers.
  • October 16, 2018 – Release party. I bought some food and drinks and hosted friends and a few strangers at the Stray Dog restaurant in my neighborhood in Northeast Minneapolis.
  • October 18, 2018A List Apart article goes live. They published the introduction chapter to Writing for Designers as a preview, and lots of nice folks tweeted links and quotes.
  • November 13, 2018UX Book Club Chicago meetup. To my knowledge, this was the first book club to feature Writing for Designers. I popped down for an in-person presentation and Q&A at the very cool headquarters of Solstice.
  • November 28, 2018 – Recorded User Defenders 059. Had a chat with Jason Ogle on a special edition of sorts of his excellent User Defenders podcast. It was released a few months later.
  • November 29, 2018 – UMN Technical Writing presentation. Shared How to Get the Writing Done in a webinar with folks involved in the technical writing program at the University of Minnesota.
  • January 29, 2019Print edition released. A Book Apart put together a way to order ebooks from the Briefs series as print-on-demand paperbacks. This was a lovely surprise not long after the ebook release.
  • February 7, 2019IxDA presentation. Delivered a breakout session of How to Get the Writing Done in the Cinerama theatre at Interaction 19 in Seattle.
  • February 19, 2019Gather Content webinar. Part book promo, part Confab promo. Lots of great Q&A after an updated presentation of How to Get the Writing Done.
  • March 3, 2019AAF CRIC meetup. One of my first road trips after bringing the truck up from Arizona in January! Shared How to Get the Writing Done with a crowd of folks in marketing, advertising, PR, and tech. (And came home with a great bottle of Cedar Ridge whiskey!)
  • May 5, 2019Prime Academy presentation. Been dropping in to visit the UX cohorts with some regularity at this educational bootcamp, and this time I brought in How to Get the Writing Done (and lots of free copies of the book in paperback).
  • June 6, 2019Content Design NYC meetup. Shared How to Get the Writing Done and a few copies of the book with this rad and fairly new content design meetup at Kickstarter’s HQ in the Greenpoint area of Brooklyn.

And next week, I’m heading to PUSH UX in Munich to present a full-day workshop based on Writing for Designers and an updated version of the How to Get the Writing Done talk on the main stage.

The book has an acknowledgments section, to which I will now say “ditto!”. I also shared a thread (or tried to, anyway) of quotes and reviews and other nice things folks have shared since the release this morning on the @DesignersWrite account.

At the top of this article, I called Writing for Designers my first book. That’s on purpose. I don’t know what’s next for Writing for Designers, but I do know that another book is next for me. I was glad to learn that I could get something like this done, and I learned a lot from doing it (from various difficulties and failures as much as any successes).

On to the next one.

Categories
Brutalist Bookends

Talking to myself to others

The recording is up from my How to Get the Writing Done webinar this week for Gather Content. I think it’s a good one.

Leading a one-to-many webinar is a strange affair. Me, alone in my office, wearing a headset, talking out loud at what I hope is a normal volume to an audience of unseen someones in unseen places all over the world.

I’ve done a half-dozen or so of these things now. It’s getting a little easier. I have to be extra-attentive to my pacing and energy on a webinar, as there’s basically no feedback. Am I talking too fast? Too slow? Am I speaking in a normal register? Normal volume?

A few things that seem to help:

  • Standing. If I can pace a little it feels much more natural.
  • Gesturing. No one can see me, but I still move my arms around and point at things as if I’m on stage. I think this helps with the energy level.
  • Pausing. This is a hard one; if you’re not talking nothing is happening. I have to remind myself it’s important and good to pause, to breathe, to let important points hang in the air a little.

Now I just need to stop asking “right?” so much. Right? It’s crazy.

Categories
Brutalist Bookends

Interview: The Write Stuff

Corey Gwin is building a writing app called Blurt. To promote the app, he’s been writing about writing. To promote my book, I’ve been tweeting about writing. I tweeted out one of the things he wrote, which made him notice me, and then he asked me to do a video interview for a series he’s doing to promote his app, which I was happy to do to promote my book. Ah, the virtuous cycle of online self-promotion 🙂 

I did it at the office, as my kitchen at home has all the visual personality of a corporate break room. The headset I’d planned to use was not working well, so I was glad I had my trusty Apple earbuds handy. Probably one of the better products they’ve ever made, dollar-to-value wise.

Categories
Brutalist Bookends

Lorem Ipsum is fine (but you might be using it wrong)

I used this video of a deflating Pikachu as a placeholder while building out the landing page for my book, as I had not yet uploaded the video I’d recorded. (I might switch it back, this video is way better.)

Writerly sorts are frustrated when content takes a backseat to the visuals in a design. And for good reason: Most sites and apps may well as not exist without the words. I fear, though, that in an effort to champion “content first” design processes, many are sending the wrong message about the role Lorem Ipsum and other placeholders can play in a designer’s personal workflow.

Consider these headlines:

  • Death to Lorem Ipsum
  • Lorem Ipsum is killing your designs
  • Why designers should never use fake text
  • Lorem Ipsum is a crime

It’s easy, but wrong, to decry a given design tool as universilly good or bad. Tools can be useful in one context and harmful in another. While the broad sentiment of these and similar articles is good, an important nuance is being lost.

I would put it this way: A designer should never pretend that fake text – squiggles, boxes, Lorem Ipsum, Hipster Ipsum, or otherwise – is real text. A designer should never pretend that fake data is real data. And a design team should never engage in the shared delusion that designs with fake text are done and ready for review. The reason, as I shared in Writing for Designers, is this:

Everything left unwritten is a mystery box of incomplete design.

Which is to say: if you haven’t done the writing the design isn’t done. If you didn’t use real, user-generated data in your design, you didn’t really test your design. But placeholders aren’t the problem – lying to ourselves is the problem.

How I use Lorem Ipsum

Form is the shape of content. – Ben Shahn

Form and content both contribute meaning. The shape of a thing is critical to understanding the thing. Invoices tend to look like invoices, sign-in screens tend to look like sign-in screens, newsletters tend to look like newsletters. Square green stop signs aren’t especially effective, and texting someone “I Love You” isn’t the same as writing it in the sky.

Using fake text like Lorem Ipsum helps me get a feeling for the impression the form of my content will give to my reader. It’s the pencil sketch before I lay down ink, the hummed melody before I write the score.

Importantly, I have to have a rough idea of what I’m going to say for this to work. That’s where the “death to Lorem Ipsum” people get hung up. Placeholders are not the place to start, true, but they’re a perfectly reasonable intermediary step as you iterate through the words and visuals in your design work.

I also use Lorem Ipsum in tandem with protocopy. Protocopy is lo-fidelity writing — quick dashes of text to capture your intent without worrying about making it perfect (or even good). You might find something like this in my comps:

explain when user will get first bill after subscribing and monthly rate ipsum dolor sit amet, consectetur adipiscing elit. Etiam consectetur mollis urna sed lobortis!

Or I might rough out the text of a wireframe with Lorem Ipsum and put quotes and bullets and inputs alongside it that I know I want to reference to do that particular bit of writing, using the placeholders as a to-do list of sorts for any given comp.

Lorem Ipsum is also helpful when I’m exploring constraints. If an area has a 500-character limit, for instance, I can drop in 500 characters of Lorem Ipsum to see what’s possible. Is that a paragraph? Two short paragraphs? Can I make a bulleted list work in 500 characters? And so on.

No approvals on placeholders!

If you do use Lorem Ipsum, caution is warranted. A good rule of thumb for a team would be that no design no design is done until you’ve done the writing. No words = no approvals. Having a rule like that in place gives individual designers and writers more flexibility in how they approach their work on the way toward done — including, if they like, using Lorem Ipsum.

Categories
Brutalist Bookends

UX Book Club Meetup at Solstice

My friend Michael Metts came out and snuck a few nice photos.
My friend Michael Metts came out and snuck a few nice photos.

Recently back from an overnight trip to Chicago to speak with their UX Book Club. My book Writing for Designers was the featured book, and they hosted a Q&A style event with the author, who is me! This was the first time I’ve been at an in-person event specifically because I wrote a book. I thought I’d be more nervous about it but I never really was, just excited. Blind dates and conference talks are more stressful.

Getting to Chicago

When I first started speaking and embarking on my current career in earnest, around 2012, I was always looking at events like this and wondering: how does that work? Logistically and financially, I mean. Are authors getting paid to do Meetups? (LOL, no.) Are publishers paying to send them there? (LOL, no.) Are authors making enough on book sales from these appearances to justify the cost? (LOLOLOL. No.) For my niche industry book and where I’m at in my career, none of those things were the case. Turns out it’s just a lot of asking people nicely for a bit of help.

As part of the pre-launch marketing for my book, I sent lightly-customized emails to several hundred people (about half of my LinkedIn connections) to say a bit about the book and ask for help. My friend Cate Kompare, a lovely human that I coincidentally met at a different UX book club in Champaign-Urbana many years ago, replied to say that her employer Solstice has been hosting more events, and asked what it would cost to get me out there. I quoted a modest appearance fee for a private event, and said that I could also do it for just travel reimbursement for a public event. They were able to do the latter, and Cate coordinated co-presenting it through the UX Book Club Chicago. Kristina and Brain Traffic have been very supportive, and were happy to handle invoicing my expenses and giving me the time to get down there.

I smashed the trip right into my work schedule. I had a conference call Tuesday morning up until I needed to leave for the airport, and did a bit of work in the afternoon at Solstice before the Meetup started. I was back in the office around 11:30 the next day, and right back to work.

They had a desk set aside for me with some goodies and I got to play-act working at a big company for a couple hours. Someone even came up and introduced themselves thinking I might be a new employee, which was sweet.
They had a desk set aside for me with some goodies and I got to play-act working at a big company for a couple hours. Someone even came up and introduced themselves thinking I might be a new employee, which was sweet.

The flight was about $250, the hotel about $175, and three Lyft rides totaling around $80. I paid for food on my own and took the light rail and bus home from the airport to land closer to the $500 in travel expenses estimate I’d given Cate. (And if I’m not in a hurry, I prefer taking the train home anyway.)

Being the author

I have to admit I was pretty delighted to see this pop up on Google while grabbing directions to the office.
I have to admit I was pretty delighted to see this pop up on Google while grabbing directions to the office.

A couple of days before the event, Cate asked if I’d want to set up a merch table or other sort of display. A totally smart question that caught me off guard. Shit! It’s an ebook! I don’t have, like, a thing! Luckily I still had some A Book Apart buttons and stickers from my launch event in Minneapolis. I made a little display of them and some of my Brain Traffic business cards next to the pizza laid out for the meetup. I’m thinking I might want to get a little poster in a photo frame and a newsletter sign-up sheet on a clipboard, maybe some postcards, for future events. It’s not all that important if people even sign up or take your card, but it does help to make things look more “official” and put together.

Years of Confab experience has made me good at not acting like my picture is being taken while very aware that my picture is being taken. I really enjoyed the conversations during and after the event as folks were genuinely interested in UX writing, not just content strategy.
Years of Confab experience has made me good at not acting like my picture is being taken while very aware that my picture is being taken. I really enjoyed the conversations during and after the event as folks were genuinely interested in UX writing, not just content strategy.

Cate and Shane (one of the Meetup organizers) prepared some excellent questions. There were also great ad-hoc questions from the audience. I tried to stick to my guns of only answering questions I felt like I could really answer, and saying “I don’t know” for the rest, but I did feel a pressure I haven’t really felt before to be the expert. I don’t think this was a good instinct, necessarily, but I did feel liberated to speak with a bit more passion and conviction than maybe I have in the past. If people don’t like my answers they can yell at me on Twitter! I know I turned around at least one question about content testing that I don’t have as much experience with to the audience.

Ten times more

On Back to Work, Merlin has talked several times about the “ten times more” metric. The gist is: look at something in your life and ask if you’d want ten times more of that. For instance, I had a bit of fun buying and selling vintage clothing at pop-up markets and filling orders on Etsy, but not so much fun that I wanted ten times more of it. Realizing that made me it easier to let go of when it became too much.

So that’s what I’m chewing on now, after an event like this. Do I want ten times more writing books, going to meetups, talking to people who care about this stuff as much as I do? I’m leaning towards yes.

Extremely grateful to Cate, everyone else at Solstice whose names I’ve already forgotten (sorry!), Shane and the Chicago UX Book Club, and everyone who came out. Let’s do it again sometime!